Includes unlimited streaming of Finnegans Wake - Suite Of Affections Volume 2
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Every evening at lighting up o'clock sharp and until further
notice in Feenichts Playhouse. (Bar and conveniences always
open, Diddlem Club douncestears.) Entrancings: gads, a scrab;
the quality, one large shilling. Newly billed for each wickeday
perfumance. Somndoze massinees. By arraignment, childream's hours, expercatered. Jampots, rinsed porters, taken in token. With nightly redistribution of parts and players by the puppetry pro-ducer and daily dubbing of ghosters, with the benediction of the Holy Genesius Archimimus and under the distinguished patron-age of their Elderships the Oldens from the four coroners of Findrias, Murias, Gorias and Falias, Messoirs the Coarbs, Clive Sollis, Galorius Kettle, Pobiedo Lancey and Pierre Dusort, while the Caesar-in-Chief looks. On. Sennet. As played to the Adelphi by the Brothers Bratislavoff (Hyrcan and Haristobulus), after humpteen dumpteen revivals. Before all the King's Hoarsers with all the Queen's Mum. And wordloosed over seven seas crowdblast in cellelleneteutoslavzendlatinsoundscript. In four tubbloids. While fern may cald us until firn make cold. The Mime of Mick, Nick and the Maggies, adopted from the Ballymooney Bloodriddon Murther by Bluechin Blackdillain (authorways 'Big Storey'), featuring:
GLUGG (Mr Seumas McQuillad, hear the riddles between the
robot in his dress circular and the gagster in the rogues' gallery),
the bold bad bleak boy of the storybooks, who, when the tabs go up, as we discover, because he knew to mutch, has been divorced into disgrace court by
THE FLORAS (Girl Scouts from St. Bride's Finishing Establish-
ment, demand acidulateds), a month's bunch of pretty maidens
who, while they pick on her, their pet peeve, form with valkyri-
enne licence the guard for
IZOD (Miss Butys Pott, ask the attendantess for a leaflet), a be-
witching blonde who dimples delightfully and is approached in
loveliness only by her grateful sister reflection in a mirror, the cloud of the opal, who, having jilted Glugg, is being fatally fascinated by
CHUFF (Mr Sean O'Mailey, see the chalk and sanguine picto-
graph on the safety drop), the fine frank fairhaired fellow of the
fairytales, who wrestles for tophole with the bold bad bleak boy
Glugg, geminally about caps or puds or tog bags or bog gats or
chuting rudskin gunerally or something, until they adumbrace a
pattern of somebody else or other, after which they are both carried off the set and brought home to be well soaped, sponged and scrubbed again by
ANN (Miss Corrie Corriendo, Grischun scoula, bring the babes,
Pieder, Poder and Turtey, she mistributes mandamus monies,
after perdunamento, hendrud aloven entrees, pulcinellis must not miss our national rooster's rag), their poor little old mother-in-lieu, who is woman of the house, playing opposite to
HUMP (Mr Makeall Gone, read the sayings from Laxdalesaga
in the programme about King Ericus of Schweden and the spirit's whispers in his magical helmet), cap-a-pipe with watch and top-per, coat, crest and supporters, the cause of all our grievances, the whirl, the flash and the trouble, who, having partially re-covered from a recent impeachment due to egg everlasting, but throughandthoroughly proconverted, propounded for cyclo-logical, is, studding sail once more, jibsheets and royals, in the semblance of the substance for themembrance of the umbrance with the remnance of the emblence reveiling a quemdam super-cargo, of The Rockery, Poopinheavin, engaged in entertaining in his pilgrimst customhouse at Caherlehome-upon-Eskur those statutory persons
THE CUSTOMERS (Components of the Afterhour Courses at St.
Patricius' Academy for Grownup Gentlemen, consult the annu-
ary, coldporters sibsuction), a bundle of a dozen of representa-
tive locomotive civics, each inn quest of outings, who are still
more sloppily served after every cup final by
SAUNDERSON (Mr Knut Oelsvinger, Tiffsdays off, wouldntstop
in bad, imitation of flatfish, torchbearing supperaape, dud half-
sovereign, no chee daily, rolly pollsies, Glen of the Downs, the
Gugnir, his geyswerks, his earsequack, his lokistroki, o.s.v.), a
scherinsheiner and spoilcurate, unconcerned in the mystery but
under the inflounce of the milldieuw and butt of
KATE (Miss Rachel Lea Varian, she tells forkings for baschfel-
lors, under purdah of card palmer teaput tosspot Madam d'Elta,
during the pawses), kook-and-dishdrudge, whitch believes wan-
thingthats, whouse be the churchyard or whorts up the aasgaars,
the show must go on.
Roger Doyle – composer, keyboardist and producer of own music, in concert and in the studio. Likes to work on large projects and to collaborate with others. Works with a multiplicity of musical languages and evolving technologies.
supported by 4 fans who also own “In Feenichts Playhouse”
I am a big fan of Nucleus and Ian Carr, and nice to find it on the day I caught up with and interviewed Brian Smith, the saxophonist on this and other Nucleus albums. Some of the finest Jazz of this era. JazzLocal32.com John Fenton
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